Templates by BIGtheme NET
Home >> REVIEWS >> Review : Rang Rasiya Movie

Review : Rang Rasiya Movie


Rang-Rasiya-Movie-reviewRang Rasiya Movie review, Rang Rasiya Review, Rang Rasiya Movie 2014 Review and Rating, Rang Rasiya Movie Review Public Talk

Cast:
Randeep Hooda, Nandana Sen, Feryna Wazheir
Director: Ketan Mehta
Producer: Deepa Sahi, Aanand Mahendroo, Ketan Mehta
Music: Sandesh Shandilya
Rating:3.25/5

Story:

Based on Desai’s novel on Raja Ravi Varma (Randeep Hooda), the film deals with the court case slapped on the iconic artist for painting nude images of women and giving face to Indian Goddesses. Religious gurus filed him for propagating vulgarity and hurting religious sentiments. The film traces his story through his childhood, his marriages, his muses, his love and inspiration from Sugandha (Nandana Sen) who pushed him to deliver his best work and of course about how the fate of that case changed the face of law’s perception towards art and censorship.

A case whose ruling is relevant even today despite science taking over, logical and wide thinking hasn’t prevailed clearly. The film is an eye opener for many who think limited and judge art from a moralistic point of view.

Analysis:

The focus of the film is on a court case that was filed against Raja Ravi Varma for hurting religious sentiments and propagating vulgarity. The film begins with an art exhibition in Mumbai and extremists and fundamentalists looking to vandalize the place but is then traced back to Raja Ravi Varma’s history and childhood in Kerala. The first half of the film is entirely a historical narrative of the course of events as and when they happened. Ravi Varma’s first muse and his relationship with her seemed exceedingly frivolous and not much time was wasted on explaining how his marriage fell apart.

The momentum of the film gathers when the film embarks on his individual self discovery and his relationship with his prime muse Sugandha. Mesmerized by her beauty, he finds himself being exceedingly drawn towards her physically, emotionally, like an artist to his muse. There is a very beautiful scene in the film where Raja Ravi Varma refuses to make copies of artifacts and paintings abroad and denies taking a tour of Europe. In him was a man so deeply rooted in his rich cultural heritage, in his folklore stories that he found gaping the West futile. He begins a journey across India, exploring its picturesque scenic beauty, it’s beautiful stories and finds himself taking a relevant, modern take on it.

The biggest accomplishment of Raja Ravi Varma was his ability to make God available to all. The Hindu Caste Structure is so tightly wrapped in religion that for a good part of centuries, the religion had ostracized its lower castes. Ketan’s story very carefully conveys it and the hard hitting tone is garbed in subtlety. The enormity is conveyed in very few words, in few actions. In another scene, where Raja Ravi Varma’s paintings were opened up to the common man in an exhibition, a peasant was seen howling and worshiping Lord Rama in one of his paintings. God was kept obsoleted from the lower castes, reserved only for the elites and had it not been for Raja Ravi Varma, to democratize a caste ridden, bogged down Hindu Religion would have been impossible.

The final and most important facet of this story is Ravi’s relationship with Sugandha. It’s evidently based out of love but is more of an artist’s obsession with his muse. Ravi’s character has its own selfish tinge to it where he finds his creative inspiration from Sugandha but there is the tingling music of romance between them and their chemistry. In what will be called the film’s most controversial scene, the complex relations between the two is unleashed. Ravi caught in a creative limbo, dissatisfied and how his muse brings herself alive to draw him to paint her all over again in an avatar that will bring him to life. It takes a deep knowledge of human understanding and human relationships to bring so many layers in a relationship that is beyond the purview of those who have a narrow minded thinking.

Performances:

Randeep Hooda was used in his nascent best. The actor gives his rustic swag a look uncannily different from what we recognize him from. From playing a frivolous flirt in scenes to a heartbroken painter whose muse was socially humiliated because of him, he brings an ethereal quality in his performance delivering undoubtedly his best.

Nandana Sen whom I had last seen in Autograph looks radiant in every frame, bringing poignancy to her performance. Vulnerable in love, drawing strength from the same, it’s her heartbreak and breakdown of faith that makes the climax so surreal.

Paresh Rawal as the the scheming Seth was great. Sachin Khedekar was again good in his part. Even the naive, young and equally stellar Ferena Wazair has done a memorable job.

Technical:

Rang Rasiya is Ketan Mehta’s victory alone. While all may feel his story, it is he alone who has truly empathized with his fellow filmmakers and artists all over the world who are still suffering the wrath of fake societal norms. In very few terms, Mehta takes on the system and poses pertinent questions – should the views of all govern the views of artist, why doesn’t the common man open himself up from fundamentalist thinking, a critical take on religious leaders whose charisma is borne out of unscientific, often regressive thinking. Mehta wastes little energy on what doesn’t fit with the film’s theme, focusing solely on Ravi Varma’s life and all that pertains to it. The director’s delight in conveying cinema is evident in that one scene where Ravi and his friends witness the screening of ‘L’Arriv�e d’un train en gare de La Ciotat’. The ecstasy in the shot of the moving train is unmissable. Based on a rich tapestry, the film’s valiant approach towards art and how Ravi Varma wins the case is significant and the last scene where a gorgeous nude painting of Raja Ravi Varma is destroyed all speaks volumes about how art in democratic India still doesn’t have the freedom to remain alive and breathe. A complex and diverse country dominated by people who cannot think freely, Ketan’s baseline remains at How free are we?

Final Word:

Smeared in color, vibrancy and sensuality, Rang Rasiya revels in its operatic beauty and narrates a liberating tale of love, passion and freedom of vision. Ketan Mehta brings out the best from its actors Randeep and Nandana; especially the latter who unleashes on screen much beyond her sublime beauty, the vulnerability of her character. The inspirational story tells an uninhibited tale of a man who will always remain eternal through his art.